Different approaches address melodrama from different perspectives and usually focus on different aspects of a melodramatic production. Most of the approaches rely heavily on theories in ways of understanding melodrama. A cognitive theory of film focuses on the way audiences in general perceive a film. Staying within the framework of a cognitive theory of film, I have analyzed audience’s comments on Stella Dallas (1937) found at customer’s review. The analysis is supported by a close reading of the last sequence of the film.
Stella Dallas (1925 film) - Wikipedia
What is Cognitive Film Theory? - Team Beverly Boy
From Saviors to Angels of Death: Apocalyptic Westerns – Offscreen
PDF) Melodrama and the Psychology of Tears
PDF) 'Let me see her face when he kisses her, please': Mediating
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PDF) Revisiting Stella Dallas from a cognitive theory of film perspective
PDF) Revisiting Stella Dallas from a cognitive theory of film perspective
Stella Dallas (1925) directed by Henry King • Reviews, film + cast
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Steers, Queers and Pioneers: Barbara Stanwyck's 1950s Westerns, Part 1: Anthony Mann's The Furies – Offscreen
File:Stella-dallas-lobby-1925.jpg - Wikipedia
Brain Sciences, Free Full-Text
Page 4 – The Atavist Magazine