In 1952, years before she won the Pulitzer Prize for Criticism, art critic Emily Genauer received a pair of rubber underpants in the mail — the kind of underpants babies wore before the advent of disposable diapers.
Philip Guston Archives
Clyfford Still Archives - Hyperallergic
Art Is a Force for Life, Not Death': Clyfford Still on the Power of Painting, in 1976
Smithsonian Institution Archives - Page 3 of 5 - Hyperallergic
Carey Dunne – Hyperallergic
The Man and the Myth: Clyfford Still and the Confederated Tribes of the Colville Reservation
Present-Day Styles and Ready-Made Criticism
Abstract Expressionism Archives - Page 2 of 4 - Hyperallergic
Art Is a Force for Life, Not Death': Clyfford Still on the Power of Painting, in 1976